What Others
Say
They are exquisite!
Tanuja
and I are completely delighted with [the bedside tables]. The
size is perfect - neither too large nor too small, and just
the right height for the bed. The workmanship is flawless and
the colours and figure of the wood are superb.
The process has been such a pleasure: meeting you, seeing
your workshop, discussing the design, seeing the pictures of
the work in progress etc.
Nigel Watts and Tanuja Pandit, London, England
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Quality
of workmanship
An acquaintance was in for lunch not long ago and admired the
new desk greatly. After a thorough inspection, he had the temperament
to call me and give me a twenty minute lecture on the quality
of workmanship. Another friend, this time to include his wife,
went on and on about this extraordinary piece. I am very pleased
with it and will use it for many years to come.”
Knox County, Maine
The beauty speaks for itself
“The
progression in our house from a king-size mahogany post bed,
to a walnut desk, to a three-section mahogany dining room table,
to its companion breakfront and, finally, to the matching sideboard
bears strong testimony to my high regard for Bill’s workmanship,
care and skill. Not to mention, his soft-spoken salesmanship!
Bill worked with us thoughtfully and patiently. The pride he
takes in his craft is never more evident than when he takes
you through his studio, painstakingly charting the evolution
of his pieces from design drawings to his extraordinary woodworking,
from the careful selection of veneers to the final application
of finishes. The beauty of the pieces speaks for itself.”
John C. Belknap…Pound Ridge, New York |
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Regency, George III in good hands
“When
my wife and I arrived from England to reset our roots in the
New World, we found ourselves unpacking two sixty-foot containers
chocked with fine Regency and George III period furniture. As
we set up house on the coast of Maine, we quickly realised that
change of climate would wreek havoc on the ancient veneers and
aged mahogany and walnut pieces that formed the basis of our
collection. And so we set out upon the search that ultimately
led us Bill.
“Not taking things like this lightly, we inquired amongst
antique dealers and collectors to find the best restorer of
fine furniture in the mid-coast area. While a few names came
up, only one came up consistently and with unqualified endorsement…William
Evans. After three years of collaboration and a dozen projects,
it is my pleasure to extend that unqualified endorsement.
“When it comes to fine furniture, be it antique or newly
crafted, you couldn’t be in better hands than Bill’s.
From the simple tightening of Regency library chairs to complicated
veneer and brasswork replacement on an antique inlaid marcassar
Asprey jewelry box. From the turning of replacement knobs on
an ancient English spice cabinet, to the scratch crafting of
a stunning contemporary exotic wood pedestal to support a much-loved
marble bust, Bill always exceeded our most ambitious expectations.
A finer craftsman you will not find in Maine…or elsewhere
for that matter.”
Fernan & Nikki Montero…Midcoast,
Maine
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He totally understood
“We had a need for a dining room table of nonstandard
dimensions since the dining room was added on to the house and
its size was restricted by Maine coastline set-back requirements.
We shopped in the San Francisco Bay area near where we live
and various places in Maine as well, all without any success.
“Furthermore, we had styles, designs and finishes in
mind. Nowhere could anything be found close to what we needed
and wanted.
“We visited Bill when we saw his Route 1 roadside sign.
Later, we presented to Bill our desired dimensions, one of the
chairs from the set we already had, two photographs from design
magazines and our thoughts. To our surprise, Bill totally understood
our needs and wishes and concluded that there would be no problem
whatsoever.
“Shortly before Labor Day, Bill visited our home on Rackliff
Island with drawings and sketches and a sample table leg. Everything
was totally perfect, and we agreed to proceed. The table was
built, stained and finished, and delivered the Sunday before
Thanksgiving.
“In a word, the dining room table is fabulous! It fits
perfectly in the dining room, with ample spacing for the chairs.
The design is truly beautiful. The finish and appearance are
gorgeous. The craftsmanship, construction, and workmanship are
superb.”
Vinnie and Anne Bowlus…Rackliff Island,
Maine, and San Franciso, California
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Just like the real McCoy
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“Having
completed a replica of an early 19th-century connected farmhouse
and barn on the coast of Maine, I needed quite a few replicas
of antiques to fill it. Enter William Evans. The exquisite tables
and chairs of that era that he made by hand over a two-year
period are, to me, indistinguishable from the real McCoy. Not
only did I acquire beautiful new works of art to fill my farmhouse,
but I made a warm friendship with a true craftsman as well!”
Pierce B. Browne…Cushing, Maine, and
Concord, Massachusetts
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A
perfectly restored Seymour
“It was important for us to be most careful in choosing
a restorer. In particular, we were concerned with one family
heirloom, a sideboard in poor condition but with possibly an
attribution to John & Thomas Seymour. We needed someone
capable of restoring the piece while maintaining historical
integrity, respecting and understanding construction details,
and discerning attribution clues. The sideboard was restored
over a period of six months, and, when brought to the attention
of art historians and experts in the field of 18th-century American
furniture, was indeed determined to be from the Seymours and
dated 1785-1800. Since then, we have entrusted William Evans
Furniture with several more pieces, including a Maine circa
1845 writing desk that had been ravaged by exposure to the sun.
It is now in perfectly restored condition. Professionals in
the art world have commented on the quality of the restoration
and finish, and Bill’s respect for the historical integrity
of the pieces. His understanding of woods, construction and
methodology is thorough and is the most important part of a
proper restoration of an antique piece of furniture.”
A Maine collector |
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An
old-time professional…5 stars!
“I was first introduced to the work of Bill Evans several
years ago by a longtime friend of mine who had reproductions
that Bill had done for him over the years. Several years ago,
I saw a reproduction of an English reading stand, circa 1760-1770,
in the house of some friends in New Hampshire. I asked them
for a set of drawings of the reading stand so I could have a
copy made for my daughter’s 9th birthday. Then another
friend who had several pieces that Bill Evans had done for him
suggested that I send the plans to Bill. I did, and now my daughter
has a very beautiful piece of furniture that will last her family
for generations to come. Bill is an old-time professional in
every sense: care, workmanship, details, etc., etc. I highly
recommend him. Five stars!”
George V. Buehler…Brookline, Massachusetts
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Simply superb work
“We can recommend the services of Bill Evans without
reservation. In the design and execution of new furniture and
in the restoration of old pieces, his work is simply superb.
Additionally, it is a pleasure to know and to work with Bill,
who is always eager to share his love and knowledge of woodworking.”
Kim Hetherington & Henry Goldberg…Bremen,
Maine, and Washington, D.C.
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A
gifted craftsman
“Bill Evans is a gifted craftsman who couples a superb
sense of design with meticulous workmanship.”
Alan Goldstein…Winter Harbor, Maine
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Nearly invisible repair
“Bill is a true artist and brilliant craftsman. I travel
185 miles to bring my furniture to him (it is worth every mile),
because I know he can fix anything, from a small delicate wood
lamp with a crack, to a large chest of drawers coming apart
at the seams. He can make repairs so the pieces are as strong
as before the break, and his finish work makes the repair nearly
invisible. He is very welcoming in the shop and always gives
me a tour of his current projects, talking about the wood he
is using and answering every question I have. Bill’s pricing
is very fair, and he sticks to his estimates. I recommend him
without reservation.”
Liz Moriarty…Cambridge, Massachusetts
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A lot of fun
“I was very pleased with the work that Bill did for me.
I appreciate the interest he took in the projects, all of which
were so small and more than a little odd. He has an ability
to put himself in the client’s position and share his
enthusiasm for the project at hand. It was a lot of fun working
with him.”
Richard Kenworthy…Boston Massachusetts
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Bill stands out
Kathleen and I have commissioned Bill to design and build four
very different pieces of furniture. They have ranged from a
formal 8-foot dining room table to a contemporary oval side
table. The other two pieces include a faux-Chippendale side
table and a four poster bed with matching side tables. They
are unique and wonderfully executed. Collaboration with Bill
is an absolute pleasure. His competence as a furniture maker
and artisan is made more enjoyable by his humble and yet determined
approach to creating the best in new works of art. From selecting
antique English burled brown oak for the dining room table to
recommending the brilliant flame maple for the side table, he
brings to the collaboration not only a flare for unique detail
but also a sensitivity to a harmonious use of extraordinary
elements. Bill stands out in a class and at a level of achievement
rarely experienced
in fine furniture making.
Kathleen and Rob Flory…Walpole, Maine |
Only an expert could tell
“It’s been wonderful working with Bill. I always
enjoy his visits when he picks up or brings back furniture,
and I’ve learned quite a bit, listening to what he’s
had to say about the various pieces and what they needed to
have done to them. I think the piece that was the most seriously
damaged was the dining room chest with cupboard on top. What’s
wonderful is that only an expert could tell where it was damaged
and what Bill did to repair it. Certainly, I’ve almost
forgotten and never think about it! He does very careful, professional
work, but only what is really needed, leaving signs of age and
history to tell their story. I’d recommend Bill wholeheartedly
to anyone who has pieces they love and use that need restoration
or repair. I don’t know what I’d have done if he
hadn’t taken on my damaged pieces!”
Ann Rogers…Portland, Maine
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Finding the right person
“For years, Jim and I postponed having our furniture
repaired, wanting it done right. Several pieces were especially
important to us. When a friend introduced us to Bill, and we
saw the quality of his work, we know that we had found the right
person. His skill, craftmanship and care are outstanding. The
results speak for themselves.”
Penny Moodey…Damariscotta, Maine
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A profoundly beautiful work of
art
“I
was drawn to William Evans’ furniture by a display of
his work in Northeast Fine Art & Design in Northeast Harbor,
Maine. The pieces were not only pleasing to my eye, but extraordinarily
beautiful to touch. I purchased a magnificent Evans chart chest
this past summer and placed it in my home to display photographs
and boat drawings. I knew I had made a wonderful selection when
several of my friends chided me for purchasing it before they
bought it for themselves. Every time I walk by it, I cannot
resist touching its surface and admiring the exquisite craftsmanship.
It is a profoundly beautiful work of art, and I feel privileged
to own it.”
Michael E. Rindler…South West Harbor,
Maine
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Bringing Egyptian detailing back into the light
“In the summer of 2003, I first made the acquaintance
of an 8-foot, turn-of-the-century secretary in a Maine antique
gallery. It was, to my eyes, a rare combination of classic American
design with Egytian detailing which became so fascinating in
the heady years of early archaeology. But I hung back from purchasing
it, not at all certain about what lay beneath the melted and
crazed finish. It could be some cheap, theatrical veneer or
the work of a serious furniture craftsman. But four months later,
when the piece was still there, I gave in to instinct. In part,
that decision came about because the gallery owner recommended
a restorer who specialized in the period and who had done phenomenal
work on similar pieces. I called that restorer—many times—with
no result. Perhaps the piece was too big, too daunting, or too
uncertain. The exasperated gallery owner called saying he could
no longer hold the piece for the restorer, it had to be gone
by the end of the week.
“Fortunately, I had been to visit Bill Evans’ studio
several months earlier. I had known of his work and wanted to
see it first hand. Even though it was an impromptu visit, Bill
took the time to show us through the studio, stopping to talk
about the several works in progress. The work was precise, respectful,
loving. The pleasure Bill took in bringing out pieces was like
another presence in the studio.
“So, given the gallery owner's ultimatum, I picked up
the phone and called Bill at home that very evening. He promised
to drive to see the piece the following day and to call with
an opinion and a rough estimate. Given the long delays and disappointments
of my first round, I was totally amazed, when, like clockwork,
Bill called, exactly as promised. When he provided his estimate,
I asked him whether the piece was worth it—as I knew I
was working off of total intuition. He was cautious: it was
mahogany, it was turn of the century, it had nice lines, but
he could not tell what lay under the murky and clumped finish.
The lack of pressure, combined with the certainty, was assuring;
whatever was there would be respectfully and carefully brought
back to life. Together, we would have to wait to see what lay
hidden.
“Two months later, Bill called to tell me the piece was
nearing completion. He was ecstatic, for beneath the dark and
gummy finish was a magnificent work of mahogany veneer in which
the pattern of the grain created a play of light and dark across
the surface of the entire piece. Like its own Egytian sources,
the piece had come through excavation and into the light.”
Dennie Wolf…Cambridge, Massachusetts,
and Rockport, Maine
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A
most handsome secretary
“On a trip from the Chicago area to visit friends in
Waldoboro, we saw bookcases in their home designed and built
by Bill Evans. To our delight, we were told he was their next
door neighbor. A visit to his workshop and showroom allowed
us to see the entire process from the design to the precision
work and care that he incorporates in every step of the building
process to complete each piece of furniture. We were able to
select wood types from several options Bill recommended, and
other decisions were handled by telephone. The result was a
most handsome secretary which combines four different woods,
the beauty of the rich colors and interesting grains combining
to make it a unique piece. When friends come to visit they are
drawn to it, and always want information about the origins of
the secretary and how it came into our home. Bill Evans is an
artist and a master craftsman.”
Susan
& Carl Hartmann...Chicago, Illinois
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